When I’m in an art museum in a room with contemporary or abstract art, there is usually one person saying something like, “I don’t understand any of this,” or “There is no point in this stuff.” Maybe they think they are missing a meaning hidden in the work of art, as if the artist has a specific thought to communicate, or maybe they decided the entire effort has nothing at all to say. Some paintings do use specific imagery to tell stories. Dutch paintings in the Rembrandt era are filled with objects that the people living them would recognize as having religious or moral references. Same for religious themed art. But as you walk through the galleries and enter the more modern era, it’s less obivous what’s being portrayed.
I have never cared that much about the hidden meanings or even the obvious ones. I like to interpret what I’m seeing for myself. Maybe that’s why I never liked art history classes too much. The professors were heavy about telling us why a certain artist used a certain color, perhaps after visiting a region of the planet that was very green or very brown. I always thought, maybe the artist ran out of the other colors or maybe it had no conscious thought behind it. The bland explanation seemd to take some of the fun out of the art experience. It can be interesting to know some facts behind a work of art but I see so many people who need someone to deciper what they are seeing and don’t think they should try or that they can enjoy art without “knowing” something certain.
If you’re looking at an abstract painting, maybe just spashes of color, would a fact like the artist had just gotten a divorce help you enjoy it? Well, maybe if you thought she threw a paint can at her ex-husband.
I don’t mean to discount art history; it’s very useful and interesting. But when I show my own work to people I have found that they seem to want me to hand them a clue sheet or something to use instead of just allowing their imaginations to engage with what they’re looking at.
Above is an etching that I created several years go, done on a copper plate with a superimposed photograph that was added in a photo darkroom. I call it Sad Eyed Lady. Although that means something to me, it’s not critical that it means anything to you. One comment that I get a lot with my artwork is “Why is that there?” And I could tell you, sure, but I don’t think it’s important for you to know exactly why I combined these images. I believe it’s more fun for you to make up your own story. If I told you, would you bother to use your imagination?
By the way, if you aren’t sure what an etching is, see my other blog entry that’s called, “What the heck is an etching?”
In the future I’ll be putting up more of my work. Until then, feed your head, as I think the song goes.